The disaster that was Kamala Harris’ Presidential campaign is just coming into focus.
But there is a line item that is raising eyebrows across the political world.
And a six-figure payment for a sex show had Kamala Harris in hot water.
Kamala Harris’ spending under fire
Kamala Harris’ Presidential campaign raised $1.5 billion in 107 days.
Yet there was nothing to show for the haul as Donald Trump swept every battleground state on his way to a landslide win.
Democrat megadonor John Morgan said enough is enough when it comes to Kamala Harris.
“If you can’t run a campaign, you can’t run America,” Morgan told NewsNation’s Chris Cuomo.
Kamala Harris is dropping hints she wants to run for President again in 2028.
That won’t happen if Morgan has anything to say about it.
Morgan cited the fiscal mismanagement of the campaign as the primary reason Democrats should completely move on from Kamala.
“I don’t think she has a political future,” he stated, adding that the Democrat vice president “cannot be trusted with the money.”
A payment for Call Her Daddy
According to the New York Post, Kamala Harris’ campaign spent upwards of $20 million on concerts for “Jon Bon Jovi in Detroit, Christina Aguilera in Las Vegas, Katy Perry in Pittsburgh and Lady Gaga in Philadelphia.”
Oprah Winfrey’s production company pocketed a seven-figure payment for her appearance at a rally in Philadelphia.
But no expenditure stood out as more ridiculous than Kamala’s campaign spending more than $100,000 to build a set for Kamala so Alexandra Cooper – the host of the Call Her Daddy Podcast – could tape an episode on location.
Call Her Daddy is a raunchy podcast where Cooper and her guests – almost always young women – talk about their sex lives.
Campaign manager Jen O’Malley Dillon defended this absurd waste of money in an interview on the Pod Save America podcast.
O’Malley Dillon claimed it was necessary to build a set for Call Her Daddy since it was the only way to tape the show and the campaign thought this was how it would reach young, pro-abortion women.
“We had to reach very hard to find voters. So we were trying to yes, spend more resources on digital, not for the sake of that but because we’re trying to find young people, we’re trying to find these lower propensity voters that were tuned out to politics, so much of the electorate pre-Kamala Harris and post, had opted out of political engagement, had opted out of wanting to talk through or hear the partisan environment so we had to work super hard to find them,” Dillon began.
O’Malley Dillon claimed you had to reach the voters where they were.
“And doing so made us make really key choices, ‘Call Her Daddy’ was a really important choice to make and the hurricane which you’re alluding to and why we had to make some adjustments on schedule, the hurricane impacted two weeks of our ability to reach people. We put her on the Weather Channel because that’s what people are watching,” O’Malley Dillon added.
But this expensive set was emblematic of the high-priced bust that was the Kamala Harris campaign.
The endeavor was a failure as Kamala’s appearance on Call Her Daddy was the opposite of viral with just 900,000 views on YouTube.
